![]() One is about a person against a background while the other is about a person located in an environment. One is equivalent to 84mm in the 35mm sensor format while the other is equivalent to 75mm, almost 10mm difference and enough to give them a very different character to each other. ![]() The Fujinon XF 50mm f/2.0 R WR renders out of focus areas as soft but they still contain enough information to support the main object of the photograph or as counterfoils.Īlthough the lenses’ focal lengths seem similar with just 6mm between them, their 35mm equivalents better indicate their key difference. Made with Fujifilm X-Pro2 and Fujinon XF 50mm f/2.0 R WR then Fujifilm X-Trans raw file processed in DxO PhotoLab 6 Elite, DxO FilmPack 6 Elite and DxO ViewPoint 4.īoth lenses were set at their maximum apertures and as expected the Fujinon 56mm f/1.2 R’s out of focus rendering was soft and an extreme contrast against its sharply focused areas.Īs a documentary lens it’s best suited for isolating details against a background containing little no useful information. Photograph © copyright Karin Gottschalk 2022. Get the perfect angle, every time DxO ViewPoint 4 can be used as a standalone application, as a tool palette within DxO PhotoLab, and as a plug-in for Adobe Photoshop®, Lightroom Classic®, and Photoshop Elements®.” LinksĪuthor Karin Posted on OctoOctoFormat Video Categories Cam Tech, Creativity, Software Tags DxO, DxO FilmPack, DxO PhotoLab, DxO ViewPoint, image editing software, image processing software, raw image processing software First Look: DxO Released DxO PhotoLab 6 & DxO ViewPoint 4 Today So We Tried Them Out With Some Fujifilm X-Trans Snapshots We have a second big news for you today □ĭxO ViewPoint 4 gives you complete control over lines, angles, and shapes.Īdjust perspectives, fix distortions, warp specific areas, and correct wide-angle stretching for perfect images.
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